8/15/2023 0 Comments Diana lights out movieSandberg, who also made the short on which this is based. There are a number of decent jump moments in the film, courtesy of director David F. Everything they come up with is perfectly logical and plausible, which automatically makes Lights Out smarter than many similar movies. During the third act, Diana ensures all the lights in Sophie's house cannot be turned back on, and there's great fun in watching the characters find alternate light sources. That means the characters have to move around to find snatches of light in order to escape her. What differentiates it (slightly) is the idea that Diana can only exist in darkness. Lights Out utilizes things that have become standard in modern horror pictures: flickering lights, shadowy figures stalking people, a creepy basement, and so on. Diana is a light-averse spirit that seems intent on terrorizing Rebecca for trying to get Sophie help. When she steps in to take guardianship of the boy, she discovers that he's been seeing an apparition named Diana – the same one she saw as a little girl. Rebecca's much younger half-brother Martin (Gabriel Bateman) is being neglected by their mentally ill mother Sophie (Maria Bello). His efforts get put on the back-burner when a family crisis erupts. Teresa Palmer plays Rebecca, a commitment-phobic young woman whose boyfriend Bret (Alexander DiPersia) tries hard to wear down her resistance. There isn't a whole lot here you haven't seen before, but it's well done nonetheless. Also like the Blake Lively shark movie, it has a strong female lead in a sea of male-dominated fare. Like The Shallows, it delivers thrills without needlessly prolonging anything. This one is a lean-and-mean seventy-five minutes, minus the end credits. Several of them have been needlessly long, running more than two hours. Lights Out is kind of an interesting counterpoint to many of this summer's other movies.
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